Description
Since 1989, van Warmerdam has created photo works well summed-up by the phrase “It is what it is, but yet not”–the title of one essay in this retrospective catalogue. Whether she depicts a craggy mountain top, a tree in bloom, a well-endowed woman, or cows in a field, van Warmerdam takes a conceptually Surrealist twist on representation.



![Frans Wildenhain 1950-75: Creative and Commercial American Ceramics at Mid-Century [Hardcover] Austin, Bruce A. and Profusely illustrated](https://artwheelshop.com/wp-content/uploads/2025/10/71ZQm1MYQNL._SY425_-1-300x425.jpg)
![Casting a Shadow: Creating the Alfred Hitchcock Film [Paperback] Schmenner, Will and Granof, Corinne](https://artwheelshop.com/wp-content/uploads/2025/10/81D2s-ypoAL._SY466_-1-300x450.jpg)



![The Art of German Stoneware, 1300-1900: From the Charles W. Nichols Collection and the Philadelphia Museum of Art [Paperback] Hinton, Jack](https://artwheelshop.com/wp-content/uploads/2025/10/61x0T1TJZWL._SY342_-1.jpg)
![Panaesthetics: On the Unity and Diversity of the Arts (The Anthony Hecht Lectures in the Humanities Series) [Hardcover] Albright, Daniel](https://artwheelshop.com/wp-content/uploads/2025/10/71tyEo5BxYL._SY385_-1.jpg)
![In the Courts of Religious Ladies: Art, Vision, and Pleasure in Italian Renaissance Convents [Hardcover] Periti, Giancarla](https://artwheelshop.com/wp-content/uploads/2025/10/71cbGJd7edL._SY342_-1.jpg)