Description
From the first millennium B.C. until the arrival of Europeans in the 16th century, artists from across the ancient Americas created small-scale architectural effigies to be placed in the tombs of important individuals. These works in stone, ceramic, wood, and metal range from highly abstracted, minimalist representations of temples and houses to elaborate complexes populated with figures, conveying a rich sense of ancient ritual and daily life. Although described as models, these effigies were created not so much as reflections or prototypes of existing structures, but rather as critical, conceptual components of funerary practice and beliefs about an afterlife.
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![The Art of German Stoneware, 1300-1900: From the Charles W. Nichols Collection and the Philadelphia Museum of Art [Paperback] Hinton, Jack](https://artwheelshop.com/wp-content/uploads/2025/10/61x0T1TJZWL._SY342_-1.jpg)
![Panaesthetics: On the Unity and Diversity of the Arts (The Anthony Hecht Lectures in the Humanities Series) [Hardcover] Albright, Daniel](https://artwheelshop.com/wp-content/uploads/2025/10/71tyEo5BxYL._SY385_-1.jpg)
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![LA PRESENCIA:Latin American Art in the United States [Paperback] (various authors)](https://artwheelshop.com/wp-content/uploads/2025/10/A1LIfbkQAkL._SY385_-1-300x385.jpg)
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![The Kaufmann Collection: The Early Furniture of Gustav Stickley [Hardcover] Thomas K. Maher](https://artwheelshop.com/wp-content/uploads/2025/10/11qAK05MfkL-1.jpg)
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