Description
Since 1989, van Warmerdam has created photo works well summed-up by the phrase “It is what it is, but yet not”–the title of one essay in this retrospective catalogue. Whether she depicts a craggy mountain top, a tree in bloom, a well-endowed woman, or cows in a field, van Warmerdam takes a conceptually Surrealist twist on representation.

![Stuart Walker: Modernist Master Revealed (A Retrospective Exhibition) [Paperback] Payne, Aaron; Stuart Walker](https://artwheelshop.com/wp-content/uploads/2025/10/91lyPzkoVL._SY342_-1-300x342.jpg)
![The Art of German Stoneware, 1300-1900: From the Charles W. Nichols Collection and the Philadelphia Museum of Art [Paperback] Hinton, Jack](https://artwheelshop.com/wp-content/uploads/2025/10/61x0T1TJZWL._SY342_-1.jpg)
![Panaesthetics: On the Unity and Diversity of the Arts (The Anthony Hecht Lectures in the Humanities Series) [Hardcover] Albright, Daniel](https://artwheelshop.com/wp-content/uploads/2025/10/71tyEo5BxYL._SY385_-1.jpg)



![Ancient Bronzes through a Modern Lens: Introductory Essays on the Study of Ancient Mediterranean and Near Eastern Bronzes [Paperback] Ebbinghaus, Susanne; Anderson, Lisa; Bewer, Francesca G.; Bielfeldt, Ruth; Eremin, Katherine; Hemingway, Seán; Lie, Henry; Mattusch, Carol C.; Riederer, Josef and Staehli, Adrian](https://artwheelshop.com/wp-content/uploads/2025/10/516k-q2VTKL._SY385_-1.jpg)


![Frans Wildenhain 1950-75: Creative and Commercial American Ceramics at Mid-Century [Hardcover] Austin, Bruce A. and Profusely illustrated](https://artwheelshop.com/wp-content/uploads/2025/10/71ZQm1MYQNL._SY425_-1-300x425.jpg)