Description
Presents more than one hundred color plates and selected details of a range of pieces dating from c. 1140 to 1540 that originated from such locations as La Sainte-Chapelle, St. Germain des Prés, Canterbury, and Winchester, in a volume complemented by a discussion of design, technique, themes, and major centers of production.
![Medieval and Renaissance Stained Glass in the Victoria And Albert Museum [Hardcover] Williamson, Paul](https://artwheelshop.com/wp-content/uploads/2025/10/51Q4K13KNNL._SY466_-1.jpg)

![Make It New: Abstract Painting from the National Gallery of Art, 19501975 [Paperback] Cooper, Harry; Breslin, David and Jolly, Matt](https://artwheelshop.com/wp-content/uploads/2025/10/61i1k-PWaAL._SY522_-1-300x450.jpg)


![Panaesthetics: On the Unity and Diversity of the Arts (The Anthony Hecht Lectures in the Humanities Series) [Hardcover] Albright, Daniel](https://artwheelshop.com/wp-content/uploads/2025/10/71tyEo5BxYL._SY385_-1.jpg)


![In the Courts of Religious Ladies: Art, Vision, and Pleasure in Italian Renaissance Convents [Hardcover] Periti, Giancarla](https://artwheelshop.com/wp-content/uploads/2025/10/71cbGJd7edL._SY342_-1.jpg)
![Nam June Paik: Becoming Robot [Hardcover] Asia Society; Chiu, Melissa and Yun, Michelle](https://artwheelshop.com/wp-content/uploads/2025/10/61YM9OYqnL._SY466_-1-300x450.jpg)
![Stuart Walker: Modernist Master Revealed (A Retrospective Exhibition) [Paperback] Payne, Aaron; Stuart Walker](https://artwheelshop.com/wp-content/uploads/2025/10/91lyPzkoVL._SY342_-1-300x342.jpg)