Description
Prior to the 1960s, art objects were viewed as wholly distinct from non-art. But by mid-decade, that perspective was being challenged by artists such as Andy Warhol, whose Brillo Boxes looked exactly like the real ones; Roy Lichtenstein, whose paintings imitated comic book pages; and Carl Andre, whose floor sculptures were, in fact, slabs of industrial metal.
![Art and Context: The '50s and '60s [Hardcover] Bruce, Chris; Van Dyke, Nella; Wells, Keith A and Bates, Robert C](https://artwheelshop.com/wp-content/uploads/2025/10/71aBzVmrU-L._SY466_-1.jpg)


![George Inness and the Visionary Landscape [Hardcover] Bell, Adrienne Baxter](https://artwheelshop.com/wp-content/uploads/2025/10/615PhhKthsL._SY342_-1.jpg)


![In the Courts of Religious Ladies: Art, Vision, and Pleasure in Italian Renaissance Convents [Hardcover] Periti, Giancarla](https://artwheelshop.com/wp-content/uploads/2025/10/71cbGJd7edL._SY342_-1.jpg)


![A Divine Light : Northern Renaissance Paintings From the Bob Jones University Museum & Gallery [Paperback] Kennedy, Trinita & John Nolan](https://artwheelshop.com/wp-content/uploads/2025/10/517Sf6pRpFL._SY342_-1.jpg)
