Description
Between 1927 and 1933, as the new Soviet Union emerged and the Communist party struggled to transform an agrarian country into an industrialized state, a group of young artists pitched in by designing fabrics depicting tractors, smokestacks and symbols of collective modernity, cloth with which to mold its buyers into ideal Soviet citizens. Few of these designs ever saw mass production, and the experiment failed as propaganda–comrades clung to their traditional floral motifs–but it yielded bold and intriguing new designs.
![Language and Literacy in Roman Judaea: A Study of the Bar Kokhba Documents (The Anchor Yale Bible Reference Library) [Hardcover] Wise, Michael Owen](https://artwheelshop.com/wp-content/uploads/2025/10/515n8XEI4qL._SY342_-1.jpg)
![Fiery Pool: The Maya and the Mythic Sea [Hardcover] Finamore, Daniel and Houston, Stephen](https://artwheelshop.com/wp-content/uploads/2025/10/81LZ35xIJL._SY425_-1-300x425.jpg)
![The Horse in Ancient Greek Art [Hardcover] Stribling, Nicole; Schertz, Peter; Hemingway, Seán; Mattusch, Carol C.; Oakley, John and Pevnick, Seth](https://artwheelshop.com/wp-content/uploads/2025/10/81966PCS1hL._SY425_-1-300x425.jpg)
![Byzantine Things in the World [Hardcover] Peers, Glenn; Barber, Charles; Caffey, Stephen; Franses, Henri Rico and Shiff, Richard](https://artwheelshop.com/wp-content/uploads/2025/10/41Z0cRailNL._SY425_-1-300x425.jpg)
![The Invention of Glory: Afonso V and the Pastrana Tapestries [Hardcover] de Bunes Ibarra, Miguel Angel & Donald J. La Rocca](https://artwheelshop.com/wp-content/uploads/2025/10/91SIWYsxV6L._SY425_-1-300x425.jpg)
